Sabtu, 30 Oktober 2010

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  • Sales Rank: #7549684 in Books
  • Published on: 1600
  • Binding: Paperback

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Kamis, 28 Oktober 2010

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How to play the piano despite years of lessons: What music is and how to make it at home, by Ward Cannel

(Instructional). This method is a truly entertaining approach to learning how to play the piano. Written by Ward Cannel of the Piano Consortium, the method breaks down music theory into visual concepts which are fun and easy to grasp, so you can learn to play the music you want to play! Perfect for those piano lesson dropouts!

  • Sales Rank: #1122604 in Books
  • Published on: 1978
  • Ingredients: Example Ingredients
  • Number of items: 1
  • Binding: Hardcover
  • 239 pages

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4 of 4 people found the following review helpful.
The Most Important Music Book I Ever Read
By Modern Blue
My main instrument is the guitar. So how can I say this piano book is the most important music book I ever read? It's because the principles expressed here extend far beyond the piano.

I'm not sure what originally drew me to it in the first place. I think there was a reference to it in another book I was reading. When I saw it had been in print since 1981 that also made an impression. My favorite guitar method book was written in the 1960's and it's outstanding. The longevity of a music book often speaks for it's relevance and value. And I wasn't disappointed in this case.

The premise of the book is that it "rebels" against conventional wisdom, or the established classical learning that prevailed around the time it was written. The main message I carried away after reading it was "if it sounds good it IS good." It doesn't matter whether it's theoretically correct. Just let your ears be the judge. Theory geeks aren't going to like this book at all. But I got it. And it has had a huge impact on my playing ever since.

I read through a long list of theory books before and after reading this book. By the way, this is not a theory book per se. At one point I said "enough is enough" and hung all the theory and just started playing. Something I came to realize about theory is that it's a way of interpreting and "codifying" if you will, what other skilled composers have written and played in the past. It helps to have some kind of starting point, or frame of reference, if you want to write and play yourself. So theory provides a structured way of learning and understanding how music is composed.

But theory will only take you so far. I think way too many people miss this important point. It's theory for the sake of creating and playing music, not theory for the sake of being theoretically correct and perfect. Eventually you have to start trusting your ears and your feelings and see where that takes you with your music. This book helped me do just that. And that is why I say it's the most important music book I ever read.

4 of 4 people found the following review helpful.
How to for Popoular Music
By Rearden Steel
The book is for people who already know how to play classical music but never learned how to develop a simple melody line into a more interesting score. This is the province of the fake book. Accordingly, the book could have been titled How to Play from a Fake Book for classical Pianists.

The book is wordy compared to many. But, that can be an advantage. Marx explains each concept and new step in detail so there can be no doubt of your understanding of his point before he moves onward.

I found the attempt at humor to be distracting as well as making the book longer than it had to be. This being a review of the third edition of the November 1976 issue. Also this edition has no index.

What makes the book so useful is that of all the topics that could have been introduced, only those that are relevant to the author's purpose are used and they are used immediately following a bit of theory.

At least one review faults the book since the concept of relative minor chords is not covered in detail. To that I would say that for a book of this nature one does not expect exhaustive explanations of music theory.

It is interesting that modern day popular music traces its routes all the way back to J.S. Bach, Brahms, Beethoven and others as is shown by way of example throughout.

The development uses the concept of stratification of the keyboard first in a simple way and then gradually developing more complexity until finally arriving at the use of the circle of fifths for the last examples.

If you have had problems grasping the concept of syncopation, then on this topic alone the book is worth the price of admission. I say this because that remark applied in spades to me. Marx furthers is explanation of syncopation with examples from Bolero Rhumba and others.

All and all this is a great book for self study. In spite of the somewhat strange humor, I gave the book 5 stars for good clear development; short easily mastered chapters; and good example adaptions as the book proceeds.

5 of 5 people found the following review helpful.
A music theory book by any other name...
By klavierspiel
This book has been around a long time. "More than 30 years in print!" trumpets the cover of the latest edition. I had never looked inside it, though, until it was called to my attention by a gentleman at an after-concert reception, who said he was teaching himself to play from it and who recommended it highly to me.

What I discovered after reading it is that "How to Play the Piano Despite Years of Lessons" is a good but quite specialized instruction book: it is for a person who knows something about music, and who just wants to play stuff: songs everyone knows, standards, Christmas carols, etc. The authors, Ward Cannel and Fred Marx, spend a lot of time trying to demystify the process of doing this and convincing the reader that it's possible. I give them credit for never saying that it's easy or doesn't require effort: despite the new names (musical "strata," using the letter "i" to mean a half-step) sprinkled throughout the text, and "myths" versus "facts" that open each chapter, most of the concepts are ones that will be familiar to anyone who has studied music theory or taken jazz piano instruction, and there is nothing wrong with that: the material is solid, and anyone who sticks with the program and can get around the keyboard with reasonable ease will end up being able to do what the authors claim: play music.

"Reasonable ease," there's the rub: Cannel and Marx spend a lot of time slamming traditional piano instruction, with its ostensibly boring scales and exercises. Admittedly, years of instruction that centers on painfully learning difficult classical pieces without any understanding of how they are constructed has produced a lot of adults who can't play anything now. But there IS a point to scales and exercises: they build physical fluency at the keyboard, the ability to get to the notes you want to play. The major weakness of this book is that it doesn't acknowledge this essential need. My guess is that a lot of folks over the years have understood the concepts presented in this book, but have nevertheless given up in frustration after they've hit that technical wall.

Bottom line: this is not the musical equivalent of a quick weight-loss diet book: some musical knowledge and willingness to put in the time and effort are necessary. I'm biased, but I also think having a supportive piano instructor would help as well.

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Capacitors: Theory, Types and Applications (Electrical Engineering Developments), by Alexander L. Schulz

A capacitor or condenser is a passive electronic component consisting of a pair of conductors separated by a dielectric (insulator). When a potential difference (voltage) exists across the conductors, an electric field is present in the dielectric. This field stores energy and produces a mechanical force between the conductors. The effect is greatest when there is a narrow separation between large areas of conductors, hence capacitor conductors are often called plates. This book reviews research on the role of capacitors and capacitance within plasma processing; voltage stabilisation using a storage capacitor; disposal of PCB capacitors in Kazakhstan; and how ideal and real capacitors affect the behaviour of energy efficiencies.

  • Sales Rank: #5498881 in Books
  • Brand: Brand: Nova Science Publishers, Inc.
  • Published on: 2010-09-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 6.25" w x .50" l, .0 pounds
  • Binding: Hardcover
  • 119 pages
Features
  • Used Book in Good Condition

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0 of 0 people found the following review helpful.
This book would only be beneficial to amateurs who don't really understand capacitors and their application
By Gilgamesh
I am relaying this review from the person I bought the book for, who is a senior engineer for a top aerospace and space defense contractor.

"The degree of technical application information contained in this book would only be beneficial/helpful to a novice."

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Selasa, 19 Oktober 2010

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  • Sales Rank: #5138493 in Books
  • Published on: 1963
  • Binding: Comic

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Identify: Basic Principles of Identity Design in the Iconic Trademarks of Chermayeff & Geismar, by Tom Geismar, Sagi Haviv, Ivan Chermayef

The NBC peacock. Chase Bank's blue octagon. Mobil Oil's arresting red O. PBS's poetic silhouettes of "Everyman."

Chermayeff & Geismar's visual identities are instantly recognizable by countless millions around the world (one identity--the official logo for the U.S. Bicentennial--even sits on Mars) and set the standard for what a successful trademark is.

In Identify, celebrated designers Tom Geismar and Ivan Chermayeff, and partner, rising star Sagi Haviv (called a "logo prodigy" by The New Yorker) open up their studio for the first time in the firm's 55-year history and reveal the creative process that lead to the firm's iconic visual identities, from the oldest (Chase Bank and Mobil Oil in the 1960s) to the more recent (Armani Exchange and the Library of Congress in the 2000s).

The team demonstrates how their approach to design has remained unaltered by cultural and technological change and is in fact more successful than ever in today's online and digital applications, due to the powerful simplicity that is the hallmark of the firm's work.

A showcase of some of the world's most famous and enduring trademarks, an account of how they came to be, and an unprecented insider's peek into a legendary branding and graphic design firm. Identify: Basic Principles of Identity Design in the Iconic Trademarks of Chermayeff & Geismar unveils the thinking and the process behind identity design that works.

  • Sales Rank: #403753 in Books
  • Brand: Chermayeff, Ivan/ Geismar, Tom/ Haviv, Sagi
  • Published on: 2011-10-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 1.10" w x 8.50" l, 3.70 pounds
  • Binding: Hardcover
  • 256 pages

Review

"Chermayeff & Geismar, one of America's most historic design firms, has touched so many businesses and institutions with its signature brand of graphic modernism that New York's streetscape wouldn't be as vibrant had it never formed over 50 years ago. It is impossible to walk down a midtown Manhattan sidewalk without seeing its logos, posters, shopping bags, and other commercial and cultural brand identities, like Chase Bank and Mobil Oil. Along with hundreds of other familiar graphic marks, the firm's individual and collective contributions are indelible signposts -- some are even landmarks."

--Steven Heller

"The firm of Chermayeff & Geismar has created some of the most memorable logos in the history of graphic design, including the NBC Peacock, Chase Bank's Blue Octagon, and (literally) hundreds of others. This book reveals the history and process of creating many of the world's most iconic marks."

--Debbie Millman

About the Author
Tom Geismar
Tom Geismar is a founding partner of Chermayeff & Geismar and widely considered a pioneer of American graphic design. During the past four decades he has designed more than a hundred corporate identity programs. His designs for Xerox, Chase Manhattan Bank, Best Products, Gemini Consulting, PBS, Univision, Rockefeller Center and, most notably, Mobil Oil have received worldwide acclaim.

Sagi Haviv
Sagi Haviv is a partner and designer at Chermayeff & Geismar. Among his numerous projects for the firm are the logo designs and identity systems for the Library of Congress, National Parks of New York Harbor, The John D. and Catherine C. MacArthur Foundation, Conservation International, and the fashion brand Armani Exchange. 

Ivan Chermayeff
A prolific designer, illustrator, and artist, Ivan has created memorable, iconic images for literally hundreds of clients. As a founding partner of Chermayeff & Geismar with Tom Geismar, he has played a significant role in establishing the firm's worldwide reputation. His trademarks, posters, publications and art installations for contemporary buildings are widely recognized and have received nearly every award bestowed by the profession, including gold medals from the American Institute of Graphic Arts and the Society of Illustrators.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Great reference book
By Pat
This is a great book to keep as reference of corporate identity design. C&G are probably the best designers of their field, responsible for many outstanding brands. The only reason I don't rate it 5 stars is because I expected to see a little more of the construction of the most important brands, the method employed by the office to make the brand what it has become. We see just a few sketches, but not the actual work to turn it into reality.

All in all, it is a superb example of identity design, which can just make me feel jealous - or challenged, to reach at least 1/20th of what they have achieved as designers.

2 of 2 people found the following review helpful.
Wordmarks, logos and everything in between
By Robin
A handsomely produced book of some distinctive brand identities created by Chermayeff & Geismar. Some of them must have entered the public consciousness by now: NBC (the peacock) PBS; Chase Manhattan; Mobil; Pan Am; Xerox (before the current one) National Geographic. Others have only been seen within certain industries or outside the US. There are several logos for the Turkish Koc Holdings.

The book, though, was rather disappointing for me because it's not much more than a portfolio of C&G work rather than a visual account of how each design was created. There is some quite detailed text on some of these marks which does in fact sum up the thinking behind the visual but I was expecting to see various roughs and scribbled ideas that created the final design. This does occur in a few but most pages show previous marks on a left-hand page with the logo centered on all the right-hand pages. Also missing is any explanation of why a particular typeface was chosen for those designs that are just typographic.

The pages really should have delivered more and I see that copies can be picked quite cheaply since publication in 2011. Worth getting maybe just to see these logos well printed and in a reasonable size.

1 of 1 people found the following review helpful.
Great album
By O. Osokin
Great album of C&G identities. Not really informative about the way of creating those brands and trademarks.
But as for album with huge illustration of their logos it is fine.

Shipping was so long, it took almost 1 month to receive a package.

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Senin, 04 Oktober 2010

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At your fingertips—find advertising terms and concepts quickly and easily in this A-Z reference guide!

As with many institutions, advertising has developed its own vocabulary. While some terms and concepts may overlap with other areas, many are used in a particular way and have specific meanings in advertising. The Concise Encyclopedia of Advertising is a comprehensive yet to-the-point compilation of terms and concepts used in the advertising industry. It provides brief, easy-to-understand definitions and explanations of common advertising terms and covers all major concepts used in the industry.

The Concise Encyclopedia of Advertising is unique in that it completely covers all terms and examines all aspects of advertising. This book will help bring you up-to-date with current advertising jargon. It is laid out in an easy-to-use alphabetical format, which allows you to easily access and understand the information. For further reference, it also includes a list of advertising experts who have recently written articles or textbooks on advertising.

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The Concise Encyclopedia of Advertising provides advertisers, marketers, consumers, and businesses a handy reference to the terminology that is used in the advertising industry. Those new to the business or trying to get into the business can use this book to familiarize themselves with terms and concepts they will need to know. Individuals already in the business can use this book as a quick reference tool for terms they are unsure of or have forgotten. It is also useful as a textbook for students of advertising.

  • Sales Rank: #5641035 in Books
  • Brand: Brand: Routledge
  • Published on: 2005-03-31
  • Released on: 2005-03-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.38" h x .52" w x 6.00" l, .78 pounds
  • Binding: Paperback
  • 228 pages
Features
  • ISBN13: 9780789022110
  • Condition: USED - Good
  • Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Review
"A WONDERFUL RESOURCE FOR STUDENTS, FACULTY, AND BUSINESS PEOPLE as well as those working professionally in marketing and advertising fields." -- Karen E. James, DBA, Associate Professor, Louisiana State University-Shreveport

"A wonderful resource for students, faculty, and business people as well as those working in the marketing and advertising fields." -- Karen E. James, DBA, Associate Professor, Louisiana State University-Shreveport

"WHETHER YOU ARE A MARKETING EDUCATOR OR AN ADVERTISING PRACTITIONER, THIS BOOK IS A 'MUST-HAVE' IN YOUR OFFICE." -- S. Altan Erdem, PhD, Professor of Marketing, University of Houston-Clear Lake

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Sabtu, 02 Oktober 2010

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The authoritative resource for criminological theory.

 

Criminological Theory, 6/e provides concise chronological coverage of all the major criminological theories. The text puts theories into socio-historical context to illustrate how and why certain theories evolved, why they were popular at particular points in time, and how they are still active and influential today. The authors also examine the research and policies that were inspired by each theory. Specifically designed to suit one-semester courses, students and instructors alike will appreciate the text’s straight-forward approach, clear language, and comprehensive coverage.

  • Sales Rank: #63833 in Books
  • Published on: 2013-02-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x .70" w x 7.30" l, .0 pounds
  • Binding: Paperback
  • 256 pages

About the Author
Marilyn D. McShane Professor of Criminal Justice, University of Houston Downtown Ph.D. (1985) Sam Houston State University Specialization: Institutional and community corrections, child abuse, criminal justice system management, and criminological theory. Dr. McShane has taught at the graduate and undergraduate level and has served on a number of national criminal justice professional organization boards. She often serves as a reviewer for the National Institute for Justice. At Cal State, San Bernardino (tenured professor) she received the faculty Professional Development Award in 1994 and she was Chair of the Department of Criminal Justice (tenured professor) at Northern Arizona University. At Prairie View A&M, she was the senior founding professor of the Juvenile Justice Doctoral Program. Her current appointment is at the University of Houston Downtown as an endowed professor and institute director. Dr. McShane Professor McShane has a consistent record of publication and grantsmanship (more than 50 books and articles, and directed several grants). Her editorial work includes a series of dissertations with LFB Scholarly Publishing and a scholarly monograph series with Greenwood / Praeger. She co-edited the award-winning "Encyclopedia of American Prisons "and is currently co-editing the" Encyclopedia of Juvenile Justice". Her most recent book is "Criminological Theory, "3rd Edition, coauthored with Frank P. Williams III.

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0 of 0 people found the following review helpful.
Bought this as a required textbook for a college class ...
By Krystal
Bought this as a required textbook for a college class. The book is interesting enough, but I was most impressed with its condition. The spine is slightly worn- as expected- but there is no highlighting or writing and the pages are all intact.

0 of 0 people found the following review helpful.
School
By Tanya Pownall
I got this for a class and it is a great book and very interesting. Worth having if going into a career of criminal justice

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Required Course Textbook
By David Johnson
Professor used book a lot in class. Was well laid out. Contained the information that I needed to pass the course.

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Jumat, 01 Oktober 2010

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Character Sheets (Dungeons & Dragons Accessory), by Wizards Team

These character sheets are the best way for you to keep track of your characters' growth and evolvement during the game. Third Edition Dungeons & Dragons characters have an unprecedented wealth of options and information to track. As characters evolve throughout the life of a campaign, these forms are the best way to organize the stats and facts that make each D&D character unique.

  • Sales Rank: #961362 in Books
  • Brand: Dungeons & Dragons 3rd Edition d20 - Player's
  • Model: 91642
  • Published on: 2000-08-01
  • Released on: 2000-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .11" h x 8.41" w x 10.79" l, .20 pounds
  • Binding: Paperback
  • 32 pages

Most helpful customer reviews

46 of 48 people found the following review helpful.
Excellent, but over-priced
By Kent David Kelly
The first thing you'll likely experience when you buy these sheets is sublime pleasure - the design is gorgeous, each class has its own customized sheet, and the pages are very well-designed, making it very easy for you to find the information you need quickly during play. The next thing you'll feel (about 5 minutes later) is profound disappointment. Considering the tremendous bargain Wizards of the Coast gave us in the Player's Handbook, why did they feel the need to rob us blind ($9.95? ) for a tiny ream of paper? With the *extremely* limited number of sheets, you will find yourself making frequent and immediate trips to your nearest scanner or photocopier (with WotC's blessing, of course). Considering the ease with which the sheets are printed, however, they could have easily given us 3 times as many sheets for the price.
Overall, however, I am extremely pleased with the new layout. The design flows logically, and allows you to quickly create a character; the sheets are made of a high-quality paper that erases easily (but woe unto you who must use photocopies!). With their comprehensive details, logical format, and impressive completeness, they actually remind me of the well-regarded Permanent Character Record Folder of days gone by (TSR, 1980-81).
My final verdict is a mixed one. If money is not an object, you will be thrilled with these high-quality records; they will save you time and quickly make themselves indispensable. But if you were expecting a bargain (logically, since the PHB is one, hands down), you may well want to hook up your printer and use the PHB CD-ROM character generator instead.

33 of 35 people found the following review helpful.
Almost perfect-Definitely a welcome addition to the game!
By A Customer
I would give the product five stars but I have a few items to mention. Other than the mentions that will follow, I found the sheets to be an excellent tool for keeping track of the character and complicated NPCs. There is even a sheet for animal companions/familiars with space on the back for detailing complicated magical items. There is a seperate sheet, front and back, for each of the character classes. Then there are spell sheets with spell listings for each of the spell casting classes. Here's the first place that the sheets run afoul of the real world. A lot of time and money has been spent on creating new spells for all the classes and 3E now looks like a small list compared to the supplements that are available in so many places. A player can pencil her favorite extra spells in, but then she might wind up with a cluttered sheet anyway. If you are playing strictly by the books however, it is excellent. There is a little bit of this involved in the PC sheets as well. Players will want to bring in special classes. There is a generic PC sheet included but it won't be as nice as the customized sheets for say, a cleric, which includes the Turning Undead table. Again, those who follow the rule book closely will find this accessory indespensible. Do you want nitpicking? The barbarian sheet indicates that the character gets a d8 for hitpoints when the player handbook clearly indicates the barbarian gets d12. Small thing to pick on, but it makes one wonder if there aren't one or two more missed typos. Even if you are into making your own character sheets by pencil or laser printer, you would do well to consider these sheets as reference for your own layout. The inside cover is a detailed process for building your character. One more plus, the back cover has one of my favorite new artwork pieces from 3E. It is a female Halfling Rogue. I'll admit that I am biased, I like halflings and this one is a great representation of the new and improved halfling race.I am quite glad to have purchased this item.

23 of 24 people found the following review helpful.
Save your money
By A Customer
There are a couple of problems with these sheets. First, you are paying $10 for 15 sheets of paper. There is one sheet per character class, which means you'll be making lots of copies. Two, they are just too small. The information is crammed into these sheets, so prepare to write small. There are some better options. One, just photocopy the sheet that comes with the PHB. Two, use the character generator CD-ROM that comes with the PHB. Three, download one off the internet. Four, create your own sheets. All of these options are, for all intents and purposes, free. I found a much better sheet online that has a lot more room to write things, so I don't have to squint to see what I wrote. I will say that the layout of the sheets is actually good, but there just isn't space. I would recommend not getting these sheets.

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