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Choking the chicken, spanking the monkey, airing the orchid-whatever you call it, none of the images in this book will encourage the gentle art of self-pleasure. This deceptively simple and strangely addictive book presents a laugh-out-loud collection of random pictures virtually guaranteed to dampen the urge of even the strongest libido.

• Sales Rank: #20595 in Books
• Published on: 2011-02-01
• Released on: 2011-02-01
• Original language: English
• Number of items: 1
• Dimensions: 6.97" h x .23" w x 5.45" l, .28 pounds
• Binding: Paperback
• 80 pages

About the Author
Graham Johnson is an investigative journalist and author of the highly acclaimed true crime titles Druglord and Powder Wars (both published by Mainstream).

Most helpful customer reviews

433 of 456 people found the following review helpful.
I came.
By Angela Cardoso
The title of this book was very deceptive. I found each image to be uniquely arousing.

I don't know what they are talking about because I masturbated easily to every page of this book.

311 of 329 people found the following review helpful.
Good coffee table book, if you like having an awkward coffee table.
By Kate
I got this as a housewarming gift for one of my friends. I find delight in random coffee table books and this one doesn't disappoint. The theme of "images you should not masturbate to" is pretty wide, so it's a good book to flip open to a random image for a chuckle.

I do feel that the title is a challenge. This book is daring you to go for a little self-lovin' to a picture that should technically make you slightly uncomfortable for doing so because it has clearly been labeled a no-no by this book.

I suppose this could be a downside. I mean, what if you buy this book for someone who is totally into crab claws pinching fingers? Then you've just given someone a gift that's going to make them feel kinda lame about their weird sexual preferences.

251 of 267 people found the following review helpful.
key word "SHOULD" not
By Matt L
Mind over matter on this one guys, if you're really determined, you can accomplish anything. if you can see it, you can achieve it. Funny book, not for reading in jail.

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"..one of the most valuable clinical resources in the dynamic field of gastroenterology and hepatology." Reviewed by Brindusa Diaconu on behalf of the Journal of Gastrointestinal and Liver Diseases, July 2015

"..an engaging, educational yet clinically orientated textbook which is relevant to modern clinical practice." Reviewed by Dr Harry Brown on behalf of glycosmedia.com, April 2015

"I can personally attest to the remarkable advances that have been made, as I was author of the chapter on eosinophilic gastroenteritis in the second edition of the textbook, and reading the same chapter in the tenth edition underscores the important advances that have been made in our understanding of the molecular basis as well as the pathophysiology of this and related disorders." Foreword by Norton J. Greenberger, MD Boston, Massachusetts, June 2015

• Get the essential gastroenterology information you need from one authoritative source with an outstanding global reputation for excellence.
• Zero in on the key information you need to know with a consistent, full-color chapter design.

• Stay up to date with emerging and challenging topics: enteric microbiota and probiotics; fecal microbiota transplantation; Clostridium difficile colitis; and factitious gastrointestinal diseases.
• Incorporate the latest findings and improvements in care for liver disease patients―from diagnosis and treatment through post-treatment strategies and management of complications.
• Expert Consult eBook version included with purchase. This enhanced eBook experience allows you to search all of the text, figures, references, and videos from the book on a variety of devices.

Master all aspects of your field with the latest edition of the world's top GI reference

Your purchase entitles you to access the web site until the next edition is published, or until the current edition is no longer offered for sale by Elsevier, whichever occurs first. Elsevier reserves the right to offer a suitable replacement product (such as a downloadable or CD-ROM-based electronic version) should online access to the web site be discontinued.

• Sales Rank: #92597 in Books
• Brand: Feldman, Mark, M.D./ Friedman, Lawrence S., M.D./ Brandt, Lawrence J., M.D.
• Published on: 2015-02-03
• Original language: English
• Number of items: 1
• Dimensions: 9.50" h x 5.70" w x 11.70" l, 19.84 pounds
• Binding: Hardcover
• 2616 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Once of the best gastroenterology textbooks.
By Amazon Customer
I had and old edition from 2003. Its a great book. You can review all the gastroenterology in a detailed context.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
exceptional

3 of 6 people found the following review helpful.
Very Good.
By V. Alessandro
Outstending, as the same.
I Will be original, so let' talk abt. the contents and not necessarily abt. delivery Service or the printing of the Pages.
1)The book is mainly clinical oriented.
2)A Lot of chapters were written by new AA.
3)The biblio. is Very uptodt. (some voices '014).
4)Issues concerning Basics and molecular mech. are ok.
5)An important thing, Good Quality/price ratio.
6)online book, with expertconsult Service is a Good tool,Well written and Very easy to use.

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[C371.Ebook] PDF Ebook Simon & Schuster Handbook for Writers (11th Edition), by Lynn Quitman Troyka, Doug Hesse

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For courses in first-year composition.

 

The most balanced coverage of the writing process, grammar, research, and other issues important to today’s readers. The Eleventh Edition of the Simon & Schuster Handbook for Writers , from trusted authors Lynn Troyka and Doug Hesse, continues its emphasis on critical thinking and reading as fundamental skills, integral to quality writing and sound research practices. This handbook provides all the information that readers need – how to write papers, use and document sources, write online, write with visuals, master grammar, and use correct punctuation. Designed for easy use and speedy entry into all topics, this book welcomes readers into a conversation about becoming better writers, and makes them feel supported every step of the way.

 

Also available with MyWritingLab™
This title is also available with MyWritingLab, an online homework, tutorial, and assessment program designed to work with this text to engage students and improve results. Within its structured environment, students practice what they learn, test their understanding, and pursue a personalized study plan that helps them better absorb course material and understand difficult concepts. In addition to the full eText, activities directly from the text are available within MyWritingLab. These include written assignments, readings from the text, review exercises, and more.

 

Note: You are purchasing a standalone product; MyLab™ & Mastering™ does not come packaged with this content. Students, if interested in purchasing this title with MyLab & Mastering, ask your instructor for the correct package ISBN and Course ID. Instructors, contact your Pearson representative for more information.

 

If you would like to purchase both the physical text and MyLab & Mastering, search for:

 

 

0134140176 / 9780134140179   Simon & Schuster Handbook for Writers Plus MyWritingLab with Pearson eText -- Access Card Package, 11/e

 

Package consists of:

• 0133954706 / 9780133954708  MyWritingLab with Pearson eText -- Valuepack Access Card
• 0134172825 / 9780134172828  Simon & Schuster Handbook for Writers

 

 

• Sales Rank: #9235 in Books
• Published on: 2016-01-15
• Original language: English
• Dimensions: 8.40" h x 1.30" w x 5.80" l, 1.98 pounds
• Binding: Hardcover
• 832 pages

About the Author

Lynn Quitman Troyka, Adjunct Professor of English in the MA Program in Language and Literature at the City College (CCNY) of the City University of New York (CUNY), taught freshman English and basic writing for many years at Queensborough Community College. Dr. Troyka is a past chair of the Conference on College Composition and Communication (CCCC); the College Section of the National Council of Teachers of English (NCTE); and the Writing Division of the Modern Language Association (MLA). She has won many awards for teaching, scholarship, and service, and has conducted hundreds of faculty workshops about teaching writing and its relation to college-level reading.

“This information,” says Dr. Troyka, “tells what I’ve done, not who I am. I am a teacher. Teaching is my life’s work, and I love it.”

 

Doug Hesse is Professor of English and Executive Director of Writing at the University of Denver, one of only thirty writing programs to receive the CCCC Certificate of Excellence. Dr. Hesse is a past chair of the CCCC, the nation’s largest association of college writing instructors. A past president, as well, of the Council of Writing Program Administrators (WPA), Dr. Hesse edited WPA: Writing Program Administration. He has served on the NCTE executive committee, chaired the MLA Division on Teaching as a Profession, and served on the MLA Committee on Contingent Labor.  Author of nearly sixty articles and book chapters, he has been named University Distinguished Scholar at the University of Denver.

“Of various awards I’ve received,” says Dr. Hesse, “the one that matters most is Distinguished Humanities Teacher. That one came from my students and suggests that, in however small a way, I’ve mattered in their education and lives.”

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• Sales Rank: #79762 in Books
• Published on: 2014-11-01
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .50" w x 8.50" l, 1.34 pounds
• Binding: Paperback
• 176 pages

About the Author

Ana Paula Rímoli was born in Montevideo, Uruguay, and learned to crochet as a child. She began crocheting toys when her own children were born and now hosts her own popular website featuring her crocheted designs. The toy collection is growing and growing, slowly taking over the whole house!

Most helpful customer reviews

19 of 19 people found the following review helpful.
This is a very lovely book with excellent pics and patterns
By Amazon Customer
This is a very lovely book with excellent pics and patterns. Unfortunately if you own her other books you will find the same patterns in this one. There are a few new ones but not many. If you don't own any of her other books I highly recommend it.

18 of 19 people found the following review helpful.
If you own her other books, don't bother.
By C. Adams
The patterns are great! Easy to crochet and clear directions. Her patterns are always cute and I love them. So why the 2 star rating?? I have all of Ana Rimoli's other books and this is just a re-hash of old patterns from those other books. I feel ripped off and disappointed. I was looking forward to some new patterns by Ana. When I pre-ordered the book months ago it was not made clear that these were just a bunch of old patterns that had already been published. I'll pass it on the some other crocheter but you can bet I won't be pre-ordering her next book. I'll wait and make sure the patterns are new.

13 of 13 people found the following review helpful.
If you have not purchased a ami book from this author... Great buy!
By Mona
I am also in agreement with the other low reviews, do not purchase if you own her previous work! This book contains several repeats.
However, if you are new to the world of ami, finally returned other ami books to the library/friends, or ready to make some summer craft goals, this is a great purchase. The book contains what I believe are the highlights of Paula-Rimoli's other ami books.

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[A222.Ebook] Download Ebook How to See Color and Paint It, by Arthur Stern

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How to See Color and Paint It, by Arthur Stern

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Learn to see and mix any color with extraordinary precision!

Many painters don't paint what they see, but what they expect to see, what they think they see, what they remember, or what they imagine things are supposed to look like. Since "the mind stands in the way of the eye," the purpose of this revolutionary book is to train you to paint what your eye actually sees.

Arthur Stern claims that color is key to painting what you see. After working with three generations of students, he developed a program of 22 painting projects that teach the artist to observe, identify, mix, match, and paint the colors of the world with remarkable accuracy. Using a painting knife and oil paint, you learn to analyze every painting subject as a series of distinct color areas—called color spots—and place each spot on the canvas as a unique and vivid mixture.

The fundamental lesson of the book is that if you put the right color spot in the right place, you create a realistic image of form, space, surface texture, atmosphere, light, and shade. As you follow the painting projects in this book, you'll make the dramatic discovery that everything in nature is filled with luminous color. You'll learn to see glowing color in the "blackest" shadow and the "whitest" linen. You'll learn when a green can appear red; how to use paint to replicate metal, glass, wood, paper, porcelain, and other opaque, transparent, or textured surfaces. Before long, you'll be seeing a multitude of colors in a slice of bread, apples and oranges, and a mass of green leaves. You'll learn how to paint quickly enough to capture a "live" still life—a flower that moves and slowly dies as you paint it. You'll even practice with a setup outdoors to see how sunlight and skylight affect color.

How to See Color and Paint It is a must for beginners and a valuable asset for intermediate artists who want to develop a more subtle perception of color. A final section contains beautiful paintings of many subjects that have grown out of projects and ideas taught in this book.

130 color plates; 40 black & white illustrations

• Sales Rank: #226502 in Books
• Published on: 2015-03-26
• Original language: English
• Number of items: 1
• Dimensions: 11.02" h x .56" w x 8.50" l, 1.66 pounds
• Binding: Hardcover
• 146 pages

Most helpful customer reviews

32 of 32 people found the following review helpful.
Incredibly Valuable at Any Price
By Thomas E. Schwab
I bought this book long ago, at a used book store, but never had the nerve to use it until a few months ago. I'm now in the middle of the eighteenth project in the book (there are 22 projects.) I've learned so much from this book and recommend it to anyone who wants to learn how to paint in oils. I made a major mistake by not following one of Mr. Stern's instructions exactly and it caused me tremendous grief. I hope to spare you the frustration I experienced by not doing as he said.

The book tells you to line the walls and floor of the setup box with "inexpensive assorted colored papers - the kind children use in school." I ignored this and (clever me!) decided to buy a variety of large, much more colorful sheets from a rack at Hobby Lobby. As a consequence, I would spend up to 20 minutes trying to match the color of a sheet of paper, and never succeed. I would simply give up and use the paint that was the closest match that I could produce. I realized just the other day why I could never match the paper's color. I was using the less expensive, student-grade paints recommended in the book. Since this kind of paint lacks the rich, intense pigment load of artist-grade paint, I could NEVER produce the bright, intense colors of the papers I bought. So do exactly what the author says to do: buy a pad of children's construction paper. The relatively dull, muted colors can be easily duplicated with student-grade paint.

Here's one other tip. The author tells you to make a "spot screen", which is a small rectangular piece of gray cardboard with a hole punched in it. You look at your subject through the hole to isolate an individual color. (It's funny that he refers to it as "gray"; elsewhere in the book he lists words like "gray", "brown" and "black" as taboo.) In any event, make sure the gray is a perfectly neutral gray, exactly midway between white and black and without any noticeable color tint. If the gray of your spot screen is too light, and you'll see and paint colors darker than they really are; if it's too dark, you'll see and paint colors lighter than they really are. And if the gray leans slightly towards some color, what you see through the hole will lean toward that color's complement; e.g., if your card's gray is slightly red, what you see through the hole will be slightly green.

To sum up, this book is a treasure trove of information, and if you faithfully do each project you'll be amazed at how much you learn, and how much your confidence grows.

21 of 22 people found the following review helpful.
Simply the best
By Mary B.
Of the many books in my art instruction collection, I rate this one at No. 1. It has had the greatest influence on me of any lessons or books I've had. If you treat this book as a course in painting you will: 1) learn how to mix absolutely any color with dead-on accuracy, 2) get practical advice on setting up materials and aids (for example, his "spotter" to isolate colors -- simple but indispensible), and 3) become comfortable with the painting knife, which most amateur artists shy away from. Get this book and devote a few months to it. You'll never regret it.

(Note: He shows the use of oil paints. I prefer acrylics, and used them for these lessons without any problems.)

26 of 29 people found the following review helpful.
Waste no more time with flaky, new age egopainting. This is it.
By BF
Arthur Stern, student of the legacy of that almost-lost thread that has passed through Classical art, the Renaissance masters, the Baroque masters, into Chase, Hawthorne, Henri (and his students- Bellows, Hopper, Kent, etc.), the Bay Area artists (etc.), offers up the eye-clearing humility, without BS, that is necessary to see in order to paint what Cezanne called the "ensemble".

Akin to tuning a guitar, the method reveals that the harmony of the few notes ("spots" of value/hue/chroma) must be chorded before you learn how to glue an American flag and a photocopy of the Twin Towers to your 21st Century bombast. THE FUNDAMENTAL basis for painting. A pathway, not to be viewed as a fixed style or dogmatic cul-de-sac, but a route of initiation to Beauty.

Hawthorne/Hensche purists irk me with their holier-than-thou, plein air fascism (and some of their students with how-to books should be, with Thomas Kincaid, whipped), but I DO agree that THIS IS THE DOOR TO THE WAY. Beautiful, simple truth. Reprint Stern's book before the world ends.

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[Q507.Ebook] PDF Download Resistance and Propulsion of Ships (Ocean Engineering: A Wiley Series), by Sv. Aa. Harvald

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Deals with the prediction of speed and power in ships -- an important part of ship design. Describes the techniques used in ship model experiments as well as different types of experimental facilities. Considers different methods of estimating or determining speed and power. Questions regarding wake, thrust deduction, cavitation, and propeller design are covered. Correlates the interaction between ship, machinery, and propeller. Includes a thorough exposition of shipyards' and shipowners' needs for model testing. Extensive drawings and diagrams highlight the text.

• Sales Rank: #4825729 in Books
• Published on: 1983-11-23
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 353 pages

Most helpful customer reviews

4 of 5 people found the following review helpful.
propeller
By max nagornov
For the purpose of this paper, the term
"ship" is used to denote a vehicle em-ployed
to transport goods and persons
from one point to another over water.
Ship propulsion normally occurs with
the help of a propeller, which is the
term most widely used in English,
although the word "screw" is some-times
seen, inter alia in combinations
such as a "twin-screw" propulsion plant.
Today, the primary source of propeller
power is the diesel engine, and the power
requirement and rate of revolution very
much depend on the ship's hull form
and the propeller design. Therefore, in
order to arrive at a solution that is as
optimal as possible, some general
knowledge is essential as to the princi-pal
ship and diesel engine parameters
that influence the propulsion system.
This paper will, in particular, attempt to
explain some of the most elementary
terms used regarding ship types,
ship's dimensions and hull forms and
clarify some of the parameters pertain-ing
to hull resistance, propeller condi-tions
and the diesel engine's load
diagram.
On the other hand, it is considered be-yond
the scope of this publication to
give an explanation of how propulsion
calculations as such are carried out, as
the calculation procedure is extremely
complex. The reader is referred to This paper is divided into three chapters
which, in principle, may be considered as
three separate papers but which also,
with advantage, may be read in close
connection to each other. Therefore,
some important information mentioned in
one chapter may well appear in another
chapter, too.
Chapter 1, describes the most elemen-tary
terms used to define ship sizes
and hull forms such as, for example,
the ship's displacement, deadweight,
design draught, length between per-pendiculars,
block coefficient, etc.
Other ship terms described include the
effective towing resistance, consisting
of frictional, residual and air resistance,
and the influence of these resistances
in service.
Chapter 2, deals with ship propulsion
and the flow conditions around the pro-peller(
s). In this connection, the wake
fraction coefficient and thrust deduc-tion
coefficient, etc. are mentioned.
The total power needed for the propel-ler
is found based on the above effec-tive
towing resistance and various
propeller and hull dependent efficien-cies
which are also described. A sum-mary
of the propulsion theory is shown
in Fig. 6.
The operating conditions of a propeller
the ship is sailing and subject to different
types of extra resistance, like fouling,
heavy sea against, etc.
Chapter 3, elucidates the importance
of choosing the correct specified MCR
and optimising point of the main engine,
and thereby the engine's load diagram
in consideration to the propeller's design
point. The construction of the relevant
load diagram lines is described in detail
by means of several examples. Fig. 24
shows, for a ship with fixed pitch pro-peller,
by means of a load diagram, the
important influence of different types of
ship resistance on the engine's contin-uous
service rating.

0 of 9 people found the following review helpful.
good man
By kim byongman
I am trying man and happy! I go and go contiuesly

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